how to use magic to hack into the matrix, expand your consciousness & get laid! this is full of important information, experience & humour which is great if you’re interested in consciousness / spirituality / 2012 / magic / quantum physics / nwo / ET disclosure… enjoy!
Jim Beal tells us insights from his long career in the sciences and space technology. He was one of the original founders of the Institute of Noetic Sciences with Edgar Mitchel, served as a student and board member at the Monroe Institute, and is now focusing on electro-magnetism and how to safely use it and expand it’s applications. In this powerful interview, Jim reveals the passionate curiosity that led him into some of the most amazing adventures of the past sixty years. Toward the end of this interview, this accomplished man of science discusses the place of spiritual alignment as a component of our successful transition to the next level of evolution.
Terence describes conspiracy theories as “amateur historiography”. He then goes on to reveal the secret of who’s really in control.
Terence McKenna – Conspiracy Theory
Excerpt from Terence McKenna’s lecture Appreciating The Imagination
Terence Mckenna on government conspiracy
In this excerpt of a Terence Mckenna lecture, Terence talks about having an optimistic view on institutions and social change.
Terence McKenna On the Global Conspiracy
I believe that this is the ultimate reality of the Illuminati, and the reason we are able to defeat them. They want to own what only God can own. ALL OF CREATION. Most of us just want to live in harmony with it (however misguided some of us may be).
The experience of art as a distinct phenomenon, separable from other categories of experience, must be represented as a difference in its neural instantiation in the brain. Certainly the felt sense one has of a change taking place in perception accompanying the realisation that something is ‘art’ must be supervenient on some kind of physical change at the neuronal organisational level. It would be interesting to find out what this change reflects in terms of the associations one has with art experiences.