Abandoned 60s Film set: A Miniature Underwater City Before & After
In “don’t be a tourist” “Featured” on April 24, 2013 at 5:31 pm
The aquatic town was built between 1963 and 1965 by French filmmakers who wanted to shoot parts of their movie, L’Enfant et la Sirène (The Child and the Mermaid) on a real underwater film set. The ambitious underwater filming approach was eventually abandoned in favor of an animation studio in Paris. Unfortunately, the film, a musical directed by Sylver Néjad Atzamba, never saw the light of day and the miniature underwater town was forgotten on the seabed and left to the elements.
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Andrea Dove contacted ABC News affiliate KLTV in East Texas with an interesting tip. Dove was using Google Maps to get directions to visit her aunt in Jacksonville, Texas, when she spotted a UFO while using the Street View option.
Don’t believe it? Try it yourself by simply searching Jacksonville, Texas, and panning upward toward the sky in Street View to spot the reddish UFO near the clouds — although no one in Jacksonville has ever reported seeing one.
If you’re still looking for more evidence, try the same trick by searching for the Sky City Casino Hotel on 32 Indian Service Route 30, Acoma Pueblo, N.M. The same object appears in the sky hovering over the street.
What do these two sites have in common? A McDonald’s.
Is it really the same UFO or simply a lens flare?
sci-fi writer makes known at a science fiction convention in 1977 that he has seen the real matrix and his writing is influenced by another dimension
The film tells the story of Chronos, the personification of time and the inability to realize his desire to love for a mortal. The scenes blend a series of surreal paintings of Dali with dancing and metamorphosis. The target production began in 1945, 58 years before its completion and was a collaboration between Walt Disney and the Spanish surrealist painter, Salvador Dalí. Salvador Dali and Walt Disney Destiny was produced by Dali and John Hench for 8 months between 1945 and 1946. Dali, at the time, Hench described as a “ghostly figure” who knew better than Dali or the secrets of the Disney film. For some time, the project remained a secret. The work of painter Salvador Dali was to prepare a six-minute sequence combining animation with live dancers and special effects for a movie in the same format of “Fantasia.” Dali in the studio working on The Disney characters are fighting against time, the giant sundial that emerges from the great stone face of Jupiter and that determines the fate of all human novels. Dalí and Hench were creating a new animation technique, the cinematic equivalent of “paranoid critique” of Dali. Method inspired by the work of Freud on the subconscious and the inclusion of hidden and double images.
Dalí said: “Entertainment highlights the art, its possibilities are endless.” The plot of the film was described by. Dalí as “A magical display of the problem of life in the labyrinth of time.”
Walt Disney said it was “A simple story about a young girl in search of true love.”