Coming to Prisonplanet.tv March 26, 2012. Infowars.com and Prisonplanet.tv proudly presents Alex Jones’ sit down interview with Billy Corgan, founder of the rock band, “The Smashing Pumpkins”. During this incredible conversation, Alex and Billy discuss the impact social media has on the music business, the role of the musician in society, the ever evolving left-right paradigm, the occupy wall street movement and the noticeable spiritual awakening happening in humanity that threatens the very core of the globalists agenda. Premieres Monday March 26th, 2012 on Prisonplanet.tv.
‘World of Evil’ is an all-out AV assault on an American political machine now in psychotic overdrive for the Presidential election. A 5000 frame crash edit comedy celebration of the blatant corruption, florid insanity and plain good old smelly bullshit that characterises the political landscape of the world’s most powerful country. The ‘World of Evil’ piece by US cut-up don TV Sheriff is the first fruits of the Revolution USA project, where the global audience is invited to interactively remix the media and get satirical or plain nasty on the besuited mini-beelzebubbas who juggle things improper on behalf of us all. And if this is just the start, imagine where it’s going to finish…
The film tells the story of Chronos, the personification of time and the inability to realize his desire to love for a mortal. The scenes blend a series of surreal paintings of Dali with dancing and metamorphosis. The target production began in 1945, 58 years before its completion and was a collaboration between Walt Disney and the Spanish surrealist painter, Salvador Dalí. Salvador Dali and Walt Disney Destiny was produced by Dali and John Hench for 8 months between 1945 and 1946. Dali, at the time, Hench described as a “ghostly figure” who knew better than Dali or the secrets of the Disney film. For some time, the project remained a secret. The work of painter Salvador Dali was to prepare a six-minute sequence combining animation with live dancers and special effects for a movie in the same format of “Fantasia.” Dali in the studio working on The Disney characters are fighting against time, the giant sundial that emerges from the great stone face of Jupiter and that determines the fate of all human novels. Dalí and Hench were creating a new animation technique, the cinematic equivalent of “paranoid critique” of Dali. Method inspired by the work of Freud on the subconscious and the inclusion of hidden and double images. Dalí said: “Entertainment highlights the art, its possibilities are endless.” The plot of the film was described by. Dalí as “A magical display of the problem of life in the labyrinth of time.” Walt Disney said it was “A simple story about a young girl in search of true love.”
Greg Bishop and Adam Gorightly discuss Gorightly’s new book Happy Trails to High Weirdness, Bigfoot, UFOs, Robert Anton Wilson, listen to some great music, and more!
